CyberSoulMan: The third annual Blue Wing Blues Festival, part two

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Twice As Good on stage, featuring Paul and Rich Steward. Photo by Abby Brenner.
 

 

 


 

During the annual Blue Wing Blues Festival earlier this month, the Mighty Mike Schermer Band put on a great performance filled with a number of songs, then returned to the stage after a brief intermission for a second set. After a short instrumental jam, Lara Price returned to the stage with a rollicking version of the Randy Newman penned, “You Can Leave Your Hat On.”


Stretching out a little bit, Price then strapped on her guitar and gave the folks a tad of her musicianship. She modestly only considers herself a pianist but if you check out her recorded repertoire you will see that she plays drums as well.


Mighty Mike slipped in a little slide guitar work on the next number which was “Make Me An Angel.” Those folks who attended the sets of Barry Brenner and the Bottle Rock Blues & Rhythm Band were thus treated to three different slide guitar stylists over the course of the festival. The third was Mike Wilhelm.


The Mighty Mike Schermer Band closed out their performance with “Got You On My Mind” and “Wondering Why You Had To Go.”


Seemingly sadly, Schermer announced that he is relocating to Austin, Texas, to join the Marcia Ball Band. It seems sad for us here on the West Coast, but rest assured we have not seen the last of Mighty Mike Schermer.


It’s actually a shrewd career move on his part. Plugging into the vibrant music scene in Austin is what a lot of players only dream of. Many musicians migrate there in search of fortune and fame. Being in Ms. Ball’s band with her connections to the Crescent City scene as well, can only enhance Mighty Mike’s already stellar career. Meanwhile, keep your eyes on Lara Price!


Thursday’s musical paring was opener “Big B” Brenner followed by Chris Cain. This year the crowds at the Blue Wing Blues Festival seemed to increase in size each night that the festival continued. When I arrived Thursday night, “Big B” Brenner was hard at work pickin’ out an instrumental called Trippin’ Along from his first CD, Blues, Rags and Stomps.


Keeping steady time with his foot throughout his sets, Brenner consistently grooved in the styles of the old masters. This night he covered Muddy Waters, Blind Blake and Robert Johnson territory as well as his own. His set list varied each night and the crowd response was always strong.


Chris Cain and his band had just arrived back from a tour in Italy and came straight to Upper Lake for the Blue Wing Festival. I had never seen Chris Cain live but was aware of the accolades showered upon his showmanship and the authenticity of his records. All my musician friends who are into blues guitar marvel at his ability and technique testifying to the fact that he is the real deal.


When Cain band keyboard man Tony Stead came out and started setting up, I could see by his poker faced intensity and attention to detail that the band would be up to something. He was connected pedals and gizmos like a surgeon preparing for the operating room.


From the moment the Chris Cain band hit, it was obvious that they are a gifted unit capable of dazzling forays into the soundscape of the blues. Chris Cain’s stage persona, I noticed is not wholly unlike that of a Jimi Hendrix in terms of his use of wry wit, the use of the artistic devices of double entendre and allegory in his between song commentary.


Their set list included “Tennessee Woman,” a song penned by Fenton Robinson as well as the blues crossover hit made famous by Robert (Little Jr.) Parker, “Barefootin’.” When Cain introduced a song that he called a “sad love long,” it turned out to be titled, I believe, “Dirty, Dirty Cat,” a very, if you will, low down blues. Waaay back in the alley! They rocked it out. The festival goers with the dancin’ feet stood and testified accordingly. When the song ended, Cain remarked, “That was a tender little ballad. Wrote it at my house with a crayon!”


Rhythmically, the Chris Cain Band is anchored on bass by Dwayne Pate. The drummer is Taylor Eng. “Young” Taylor Eng as Chris Cain kept calling him. When I spoke with Eng after the show about his nickname, he admitted he is actually the oldest cat in the band!


The highlight of the band’s time on stage was the articulate, authentic solos by Chris Cain and Tony Stead. One could hear the Albert King influence in Cain’s note placement. His physical presence is very expressive. His energy, talent and heartfelt vocals are amazing.


Chris Cains master chops, interspersed with Tony Stead’s dazzling keyboard was an amazing show. At times Stead’s piano voiceings suggested Herbie Hancock. Cain and Stead steadily bridged the space between jazz and blues.


The Chris Cain band played steadily with authority for about an hour. Suddenly after all that high energy the set came to what might have been perceived as an abrupt end. Most of the band filed off stage. Chris Cain though lingered and shifted over to the keyboard throne. The crowd was cryin’ for an encore. Cain gave us a plaintive blues piano w/vocal tune entitled “What’s Gon’ Become Of Me.” It was a very effective end to what had to be a hard journey, straight from a week’s dates in Italy to the Tallman Hotel’s veranda stage.


On Friday following another fascinating set by Barry Brenner, Levi Lloyd and his fellows (The 501 Band), started their set in stages, gradually tuning, mic and monitor checking and if you listened hard enough, you heard the chord changes to “Willow Weep For Me.”


Levi made a casual announcement, “We’re just doing a little tuning while we get the sound system tight.” The band then launched into a bluesy version of “Cantalope Island” followed by an extended cover of Jimmy Reed's “You Got Me Runnin’.”


Just before blues diva Bettie Mae Fikes was introduced, 501 drummer Steve Guerrero remarked to Levi so that the crowd could hear, “Everything is based in the blues, right Levi?”


Then as if to get a witness to that truth, Levi introduced Ms. Fikes who regally graced the stage and greeted the audience.


“So glad to be back on the hill, though I haven’t quite claimed Upper Lake. I came to have a good time. What about you?”


The crowd responded with an affirmative “yeaah” as Ms. Fikes wrapped her voice around “Hey, Hey, The Blues Is All Right.” Playing to the crowd with a little help from a couple seated at a front row table, Bettie and the couple did a little mystery theater blues as Bettie sang, “Hey Lady, Your Husband Is Cheatin’ On Us.” The crowd loved it. Third in a row was “Down Home Blues.”


After the third song Bettie interspersed a little monologue into her performance.


“I told Levi I want to go to church tonight. I’ve been strugglin’ and strainin’, on my way home, singin’ gospel, human rights and the blues. Travelin’ all over the world for freedom. Just don’t seem to pay enough.”


“‘Cept here,” chimed in Bernie Butcher from the back.


Next, Bettie Mae then wrenched all the wax out of “How Blue Can You Get.” She inquired, “Now do you see why I don’t have a husband? Traveling about, running through airports, I’m astonished at how people are caught up in themselves. Forty to 50 years in civil rights. I can’t have no husband. Just give me a band that sounds like this.”


Levi Lloyd and the 501s set a torrid, blues party pace all the way through the end of the first set and firmly promised to cook some more after a short intermission.


When the band returned to the stage Levi & the fellows opened with “Big Boss Man” as a tribute to Bernie Butcher. Levi sings that number for Bernie every time he appears at the Blue Wing and it’s always a crowd pleaser.


Next up was sound man D. Wils who did an excellent joy manning the board for all the acts that appeared over the course of the festival. Many people don’t know that he is a performer as well. He got the party people up and moving by first motivating the women in the house by declaring, “ladies in control.” He than covered The Isley Brothers’ “It’s Your Thing” and James Brown’s “I Feel Good.” D had the dance floor packed throughout both numbers.


Bettie Mae Fikes came out again for a medley that included “Everyday I Have The Blues,” “I Been Mistreated” and “Going Down Slow.” The Lake County all-around-the-world blues diva killed them again. After the standing ovation, there was much autograph signing, picture taking and CD selling. Not bad for a Friday night in Upper Lake.


The Bottle Rock Blues & Rhythm Band followed Barry Brenner to the stage on Saturday night. The BRBRB though local, is fronted by the legendary Mike Wilhelm who is a peer of the late, great Jerry Garcia. He was playing his 1966 Gretsch guitar through a 1965 Fender Twin Reverb amp that he actually bought from Garcia. As has been reported before Wilhelm was Garcia’s favorite guitarist.


Neon Napalm is the other lead vocalist in the group. After Wilhelm stunned the crowd with his “New Old Pawnshop Blues,” Neon tore up “I’m Tore Down, I’m Gonna Move Up To The Country And Paint My Mailbox Blue.”


Wilhelm then showed off his bandleader/arranger skill with a totally unique version of “Louie Louie.” It was a combination of the original arrangement by Richard Berry & The Pharoahs as well as a hook or two from the Paul Revere & The Raiders version. Throw in the Wilhelm twist and the BRBRB has a great song.


The band also played “The Thrill Is Gone.” “A song I made famous by B.B. King,” quipped Wilhelm, kidding on the square. Wilhelm and Napalm did a fabulous duet of “House Of Blue Lights.” Other songs they performed were “Sweet Home Chicago,” “Stormy Monday” (which Neon wailed on) and Aretha’s, “Chain, Chain, Chain.” Great set!


Twice As Good closed the Blue Wing Blues Festival Saturday night and from the first note, it was instant dance floor fill. Perennial Blue Wing Favorite, young Paul Steward is out to capture the audience every time. He anchored a spirited set that included “T Bone Shuffle,” “Goin’ To Clarksdale,” “Bad Case Of Love,” “Don’t Treat Me Right” and “Don’t Make A Move Too Soon.”


It is interesting to watch the progress of Twice As Good as Paul Steward becomes a better and better frontman for the group. The Saturday night set was heightened and augmented by the special guest appearance of the Legendary Curtis Lawson who has been singing the Blues in the San Francisco Bay Area since 1958.


Lawson has a resume longer than most living Bluesmen. Mr. Lawson brought along one of his guitarists Bert Cardone, who is a resident of Lake County. In an exclusive to the CyberSoulMan, Curtis Lawson revealed how impressed he was with Twice As Good. Though the only had one rehearsal, they were one take rehearsals in that when an idea was presented the band was able to play it back right away.


In an abbreviated set Curtis performed “Flip, Flop & Fly,” “Shake, Rattle & Roll” and his self penned, “My Woman, My Girl, My Wife” which brought down the house. The song is autobiographical in nature and when Curtis introduced his wife to the audience he had an instant legion of new fans. Word is that Lake County will be seeing and hearing more of Mr. Lawson.


After Curtis Lawson left the stage Twice As Good performed several more songs including “Wang Dang Doodle,' “Going To Mississippi,” “Sleepwalk” and closed with James Brown’s “Give It Up Turn It Loose.”


Twice As Good is sporting a funkier, even more danceable soon with the addition of Jahan Pride on bass and Julius Johns on drums. They continue to attract a lot of attention and are in it to win it. Can a record deal with new collaborations be far off?


Can’t forget the food. Executive Chef Mark Linback whipped up a firestorm of succulent cuisine that left even the pickiest gourmet satisfied. Man, they served lamb kabobs, prawn kabobs, blackened rock cod, barbecued chicken breast, fall off the bone barbecued ribs, portobello mushroom sandwiches, grilled quarter-pound hot dogs, beef brisket, garden burgers, grilled swordfish, fig wrapped cod and my memory, not to mention my notes, are starting to fail me here. In short, the Blue Wing staff was not jiving.


However, they couldn’t have done it without the generous sponsorship of the following primarily local businesses: Brassfield Estate Vineyard, High Valley Vineyards, Moore Family Wines, Shannon Ridge Vineyards & Winery, Six Sigma Ranch & Vineyards, KNTI 99.5 FM, KXBX 98.3, Allora DaCar Productions, Blues Express Records, Jonas Heating & Cooling, Lake Event Design, MAX Design Studio, ReMax Realty, Strong Financial Network, UCC Rentals, Vintage Antiques and Windrem Law Firm.


Sound, Lighting and extra funk by D. Wills. See you all back next year!


Keep prayin’, keep thinkin’ those kind thoughts.


*****


Upcoming cool events:


Patrick Fitzgerald and Shell Mascari, Blue Wing Saloon & Cafe Sunday Brunch, Aug. 16. Brunch from 10 a.m. to 3 p.m.; music from 11:30 a.m. to 2 p.m. Blue Wing Saloon & Café, 9520 Main St., Upper Lake. Telephone 707-275-2233, www.bluewingsaloon.com .


Hansen & Raitt, Blue Wing Saloon & Cafe Blues Monday, Aug. 17. Music from 6:30 p.m. to 9 p.m. Blue Wing Saloon & Café, 9520 Main St., Upper Lake. Telephone 707-275-2233, www.bluewingsaloon.com .


Open mike night, Thursday, Aug. 20. Music from 6 p.m. to 8:30 p.m. Blue Wing Saloon & Café, 9520 Main St., Upper Lake. Telephone 707-275-2233, www.bluewingsaloon.com .


Caravanserai, 6:30 p.m. Friday, Aug. 14. Summer concert series, Library Park, 200 Park St., Lakeport.


Open mike night, 7 p.m. to 10 p.m., Friday, Aug. 28, D’s Coffee & Tea Shop, 21187 Calistoga St., Middletown. Telephone 707-987-3647.

 

 

 

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Mike Schermer and Lara Price perform. Photo by Abby Brenner.
 

 

 

 

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Chris Cain came straight to Upper Lake from Italy for the festival. Photo by Abby Brenner.